- Share This Post
- submit
- 49
-
Sparkle (1)
When an all-white sorority wins first place in an otherwise all-black step show, all hell breaks loose. Black people, young and old, are up in arms! Many feel that the black community has lost something -- "given it away" or "sold it" to mainstream America, while others see the infiltration as a wake-up call and a challenge. Most, however, recognize it as the beginning of the end to a black tradition once infused with history and culture.
The controversy continues to wage online as word quickly spread that the all-white Zeta Tau Alpha step team from Arkansas took first place honors at the prestigious Sprite Step-Off Step Show in Atlanta this past weekend. As if the Zeta win in the normally all-black venue were not enough to create big buzz, Coca-Cola -- apparently in response to the outcry from the black community -- changed the outcome by declaring a tie between the Zetas and former second-place winners, the Alpha Kappa Alphas from Indiana University. Alpha Kappa Alpha is a historically all-black female sorority formed in 1908 in response to the exclusion of black women from traditionally white sororities. Are we already seeing the crazy irony here?
Historically, stepping has been a way for black fraternities and sororities to come together for a common group effort, represent their organizations and interact among themselves and the greater community. Step shows have also been used for philanthropic fundraising among these service-oriented greek organizations. For those who have never heard of the African-American tradition of stepping or have never seen the movie Stomp the Yard, Elizabeth C. Fine, in her book Soulstepping: African American Step Show, defines it as:
…a complex performance that melds folk traditions with popular culture and involves synchronized percussive movement, singing, speaking, chanting, and drama.
In addition, as step has evolved and become more difficult and complex, it also has developed an oral tradition deeply rooted in African-American history and the histories and legacies of each group. It is a way that these groups showcase who they are, what they are doing and have done and what distinguishes them from each other. Over time, each group has developed its own style and trademark movements. If you attend a step show, you'll know the Kappa Alpha Psi fraternity by their red and white striped canes, for example. The Omega Psi Phi fraternity specializes in those athletic acrobatics and all of that dog barking. And both the male and female Alphas chant a lot about being the first black greeks established. These features have been passed down from generation to generation.
For many of these black greek organizations, stepping is a serious matter. They devote an incredible amount of time and resources to competing locally and nationally for rewards but mostly for bragging rights. The Sprite Step-Off competition represented an important shift. Firstly, the first place prize was a $100,000 scholarship, the largest step show booty to date. And secondly, the show garnered television coverage by MTV. Not just event coverage. MTV produced a six-part series about the sequence of competitions culminating with the national finals in Atlanta.
If there was any question that the art of stepping has hit the mainstream, Coca-Cola and MTV have answered with a decisive "YES." But we all know there is a price to fame, fortune ... and hopping in bed with mainstream media. Many in the stepping world are certain that they've now paid that hefty price with the Zeta win.
Black folks have a long witnessed their cultural traditions and innovations discredited and invalidated only until taken and repackaged by white America. The appropriation of black culture is as much a part of this country's history as ... I don't know ... greed! We have seen it in every aspect of American life, not just music (jazz, rock and roll), but dance, sports and science. And we've seen it over and over again. From Pat Boone's watering down of Little Richard's music to Justin Timberlake's R&B-in-a-white-package persona, this fear is far from baseless. In the last few days, many black folks have been expressing dismay all over the Internet about this new potential cultural theft.
Str* G at Straightgangsterism.com says:
I had issues with this competition from the very beginning. I saw it as another example of one of our sacred traditions being commoditized and mass-mediated by corporate America. I feared that it would















