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Oh the irony. In a week that saw a jaw-dropping surge in music sales, television ratings and internet traffic in response to the death of Michael Jackson, VIBE, one of the nation's leading music magazines, abruptly stopped publication Tuesday. Magazine staffers received the news in a memo from CEO Steve Aaron as they labored to produce a special issue on the death of the King of Pop.
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In some ways, the news shouldn't have been a surprise. Rumors about the magazine's impending demise had been swirling for months. There had been staff and salary cut. A slew of magazines have gone down the tubes in the past year, including popular music magazines such as Blender. However, the announcement came with stunning suddenness.
And as the news lens has shifted from Jackson’s home to the BET Awards to the tribute at the Apollo and the upcoming public viewing at the Neverland Ranch, millions of people continue to chatter, twitter and facebook about every detail. Watching all of this, I can’t help but wonder, could VIBE have modified its business model to have been better poised for such moments?
Obviously a media enterprise can’t base its survival on single spectacular news events. However, the use of Facebook and Twitter as a place for sharing news and making meaning of Michael Jackson’s death is significant. Blogher CE Virginia DeBolt noted that the patterns of recent news coverage demonstrated the shift in the roles between the old and new media:
In the next news cycle or during the next big story, will mainstream media remain inclined to wait for confirmation from the AP or The New York Times? Or will we begin to accept the word of sources that may be regarded as sleazy some of the time? Is news turning into the world according to Twitter?
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VIBE’a magazine’s founder, entertainment mogul Quincy Jones, seems to think so. According to Ebonyjet.com, Jones , 76 , is working n a way to regain control of the 16-year-old enterprise. VIBE was sold to its current owner, Wicks Media Group, in 2006. Jones’ plan is to turn VIBE into an exclusively online enterprise, “because print and all that stuff is over.”
While going online will relieve the VIBE media group of the cost of print production, observers are quick to point out that the magazine already had, in Aaron’s words, “a profitable digital operation.” As Natasha at Young, Black and Fabulous put it:
Can VIBE pull it off even if they come back with a strictly online presence and Quincy Jones buys it back? Their latest editions haven’t been what they used to be. But time will tell…
What would it take for a magazine such as VIBE to succeed in this new media environment? I was prompted to think about this as I reflected upon how I and throngs of other viewers used social media to register our visceral reactions to the BET awards Sunday night. Of the dozens of facebook and twitter entries I scanned that night, I can’t recall a single reference to VIBE’s live-blogs of the event. (You can check them out here and here). Obviously, I’m not pretending that my feeds were exhaustive, or that I caught everything that came past, but I follow both VIBE and its editor in chief on Twitter. What could VIBE have done that night to draw my attention that night?
My curiosity is more than personal. Popular music is one of the United States’ major exports. At the time of its founding in 1993, VIBE had a winning formula that was rooted in the popularity of hip-hop, but that provided content that crossed demographic boundaries. That earned it favorable comparisons to Rolling Stone, among other kudos. (Check out TheRoot.com’s retrospective of notable VIBE covers to get a sense of its impact over the years. ) VIBE’s failure is partially the result of the faltering economy – the loss of key advertisers, such as the auto industry and the seizing up of the capital and credit markets. But it’s also the result of the same shifting patterns of media use that have decimated the record industry and the traditional news media. Writing for TheRoot.com, Todd Boyd acknowledged that VIBE’s star has been fading for a long time:
For those who never took to the shiny suits and the
