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Since the 1980s PeTA has strategically focused campaigns on demeaning, humiliating,and exploiting women--- all in the name of protecting animals.
If the end is the more ethical treatment of animals, are the means justified? What does it say about us as a society that we have tolerated misogynistic behavior from an organization devoted to protecting animals. And, instead of fighting back, we have done exactly what they wanted us to do.
Have we not by our support encouraged more of the same? With over 1.6 million members,PeTA is the world's largest animal rights organization. But there are alternatives to PeTA that do the same good work that PeTA purports to do. Organizations that take a less sexist approach to getting their message out.
In the 1980s when PeTA started making the headlines for throwing red paint on women wearing fur coats, women cowered and fashion designers took "no fur" pledges. Not sure they were ever asked to take a "no leather" pledge but that would have cut into their profits in a big way so why go there?
Women who dared to wear fur were portrayed as cruel, shallow,materialistic, and with brains the size of a pea. They were also afraid of being attacked by a PeTA activist. There was a cartoon at the time with a woman walking down the street in a fur coat with a tag on the back. The tag read , "This is fake fur. Here is my receipt."
During that time there was also the infamous incident with Vogue Editor Anna Wintour in 1996 during a luncheon at the Four Seasons. Some credit PeTA, others describe the perpetrators as independent activists. From The Bad Ass Girls Club,
An independent activist in New York took matters into her own hands
when she threw a dead raccoon onto Anna Wintour's plate, shouting,
"This is for the animals, fur hag!" while Anna was dining at the Four
Seasons. Another activist sent Wintour a package full of
maggot-infested animal guts, with a note reading, "Here's the rest of
your fur coat."
PETA has also "pelted" the Vogue editor: PETA's
Fashion Week 2000 cards, handed out to media and glitterati alike,
featured a caricature of the oh-so "Cruella" Anna, complete with dark
sunglasses, trademark bobbed hairstyle, and ever-present fur coat.
Inside, draped in animal skins, a skeletal, pink bikini-clad Wintour
proclaims, "Without my fur, I am nothing."
Now the 80s were a long way from 9/11. Terroristic behavior-- as long as no one was really hurt-- was obviously tolerated more than it would be in our orange alert society.
In today's world, the risk of having PeTA supporters throw red paint on a coat would probably not be handled the same way it was in the 80s -- which could be one reason why designers are now returning to fur.
In 2000, Ms.Magazine took issue with PeTA's marketing approach after the organization ran an anti-fur ad called Fur Trim.Unattractive. A 2007 version is currently making the rounds in PeTA's efforts to boycott Burberry.

Around the same time,Nikki Craft started a website NoStatusQuo.com which takes a close look at PeTA's marketing strategy. She calls it: "PeTA where only women are treated like meat."
Sure PeTA ought to be able to portray sexual images, though we hope they'd do a better job of it; and when they place one of the harem of pimp Hugh Hefner (the Afghani/Saudi men's sexism has nothing on him) in the public domain to promote their organization they will have to take responsibility for how it will impact all women.
Imagine instead their ad agency hunts up a "contrarian" African Amerikan to get on his knees before a white man, shine his shoes while shuckin' n jivin' with an Amos/Andy grin to make some message about vegetarianism. Should we be duped into taking such an advertisement seriously? Should we be expected to take it as "liberating" because it's framed as "protest" yet upon looking deeper it's just jacking up racial stereotypes and white privilege? Would we be expected to, could we take PeTA seriously? Yet some insist we ought to when they are jacking up sexual stereotypes, male privilege and conservative politics.
Elaine Vigneault has a different take on the strategy.
The ads, however, can be viewed as criticism of both animal and women's objectification, a sort of tongue-in-cheek critique, a post-post-mod understanding or consciousness. I embrace this viewpoint; that's how I've accepted these PETA ads in the past. They're killing two (clay) birds with one stone. But that view













