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David Ehrenstein, Chip Saltsman, and Puff the Magic Dragon Walk into a Bar

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This was intended to be a short piece about how Chip Saltsman distributed a CD with the political parody "Barack the Magic Negro" set to the tune of "Puff the Magic Dragon," and how people were angry at him and Mike Duncan at the RNC got his days-of-the-week panties in a bunch, but I decided that to write something short and sweet was a) impossible for me to do and b) an insult to the intellectual integrity of this issue.

In March of 2007, LA Times columnist David Ehrenstein wrote a piece titled "Barack the 'Magic Negro'" subtitled "The Illinois senator lends himself to white America's idealized, less-than-real black man."

Before we go any further, let's pause the crazy train and reflect on that for a moment, shall we?

Perhaps I'm just being silly, but it almost sounds as though Ehrenstein said that President-Elect Barack Obama is not a real black man. I mean, being that I'm not black myself (indigenous American ancestry actually, listed on the Dawes-Miller rolls and among the dead on the Trail of Tears) I'm not quite sure of other requisites for being black other than the color of one's skin, but perhaps Ehrenstein knows something that I do not. I also understand that he's comparing Obama to this caractiture and therein lies the problem. 

Ehrenstein went on to say that there is a "magic negro" syndrome in Hollywood in which black men are always these angelic humans free of all wrong-doing, who are here on earth to save white people. I'll forgive Ehrenstein for ignoring how Indigenious Americans are only cast in such roles, along with older, black women ("The Matrix" anyone? "How to Make an American Quilt?" "Poltergeist?" et al.).

Let's take the crazy train on down the line to one month after the Ehrenstein piece, when political satirist Paul Shanklin recorded a song about the issue, for use by Rush Limbaugh. Ehrenstein completely goes off his own rails around the eighth graph, but comes back around to coherency with this:

"The only mud that momentarily stuck was criticism (white and black alike) concerning Obama's alleged "inauthenticty," as compared to such sterling examples of "genuine" blackness as Al Sharpton and Snoop Dogg ...

Obama's fame right now has little to do with his political record or what he's written in his two (count 'em) books, or even what he's actually said in those stem-winders. It's the way he's said it that counts the most. It's his manner, which, as presidential hopeful Sen. Joe Biden ham-fistedly reminded us, is "articulate."

Ehrenstein finishes:

"For as with all Magic Negroes, the less real he seems, the more desirable he becomes. If he were real, white America couldn't project all its fantasies of curative black benevolence on him."

It's almost impossible not to assume that Ehrenstein is defining Obama with his earlier definition of "magic negro":

"He's there to assuage white "guilt" (i.e., the minimal discomfort they feel) over the role of slavery and racial segregation in American history, while replacing stereotypes of a dangerous, highly sexualized black man with a benign figure for whom interracial sexual congress holds no interest."

I didn't even vote for Obama but after reading this I'm pissed off for him, honestly. I realize that Ehrenstein neither coined this historical phrase nor is writing
about it it he same vein as Paul Shanklin; it's how with one column
Ehrenstein attempts to rain on Obama's parade by ignoring the man's achievements (I've said they were few for the office which he sought, but more than most and greater than Ehrenstein's), the historic precedence Obama set with his campaign, and tried to neuter the scope of this achievement by brushing it off as nothing more than a penance of "white guilt." I find that insulting.

Even more so - many people for whom I care about voted for Obama. That Ehrenstein suggests their motivation for doing so is attributed to the above referenced is offensive. Everyone that I know who voted for Obama did so because they felt he was the more qualified candidate - race aside - which is what I thought we as a nation were striving for with regards to equality. They did not vote for him because hey! What better way to make up for past inequality than by voting for the first viable black presidential candidate that comes along, validity aside? To do such seems to me racist still. 

Those usually offended by such things as the suggestions in Ehrenstein's column were silent.

All aboard, the train chugs away.

I'm not

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Nordette Adams 6 pts

Whether Saltsman is a racist, I wouldn't know.  You have to hang around with a person and hear what he or she says in private conversation to really know. However, I sincerely doubt that he has any sensitivity to the concerns of African-Americans and other people of color.

I can agree with the following:

... Saltsman had to have known that this would cause a torrent of bad press
because people would completely miss the point - and that the entire
thing would cause a deluge of racism accusations and in turn, be a PR
nightmare. Because he lacked the foresight needed to anticipate such an
outcome, Saltsman should be yanked from the RNC Chair race. We already
had one giant boob manhandling the party, we don't need another.

I hate it when people play ignorant and pretend they don't know something is offensive, and so if Saltsman really claims to not know that this was going to blow up in the party's face, then he's out of touch with the world and too stupid to be in charge.  And if he's that stupid, I don't think he has the brains to appreciate any irony in the song or potential sociological truth or myth in Ehrenstein's piece, except in its basest sense.  So I wouldn't buy any defense he may have of using the song other than the idea of Al Sharpton singing about the hood and calling Obama a "magic negro" amused him. It takes linguistic smarts to flip irony, and so, if Saltsman's a doofus, then ... 

If, however, Saltsman knew distributing the song could blow up, but he did it anyway, then he's too reckless to be Chair of any party that hopes to move forward with inclusiveness.

Thanks, Dana.

Nordette ( http://blogher.org/blog/nordette )'s personal blog is WSATA ( http://bigsole.blogspot.com ), and her most recent BlogHer post is "Is Black Life Worth More than a Wine Cooler? ( http://www.blogher.com/racially-motivated-katrina-... )"  Also @ Twitter. ( http://twitter.com/nordette_verite )

Kim Pearson 5 pts

 I'd not heard of Ehrenstein or the column before. I can't guess whether the people who declared their outrage about the song knew about the essay. Then again, I'm out of touch with a lot of popular culture. I haven't listened to Limbaugh since the late 80s, because I personally can't abide people who think name-calling is a form of argument or humor. (FWIW, I have trouble with Al Franken for the same reason.) I think the song is stupid, and I agree with you that it is insulting to Obama and his supporters to reduce his election to spasm of racialist expiation. As for whether Saltzman is a racist, i don't pretend to know. 

The Republican Party has been confused for a long time about what it means to be inclusive. (I'm not saying that the Democrats don't have their problems, too.) It will be interesting to see how they sort it all out.

 Thanks again for a thought-provoking post.

Kim
BlogHer Contributing Editor ( http://blogher.org/blog/kim-pearson )|Professor Kim ( http://professorkim.blogspot.com/ )|