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Hi, I'm Karen Ballum. but I'm better know around the web as Sassymonkey. I live in Ottawa, Ontario -- Canada's national capital. (No, I do not wo...
 
 
 
 

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The Death of Chick-Lit? I Doubt It

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I guess I shouldn't have been surprised last week when people started sending me links to an article called "The Death of Chick-lit" and then they started sending me links to the reactions about the article. After all, I read chick-lit and I'm not afraid to say it. Chick-lit is dying? Really? I've been listening to people proclaim chick-lit's death since 2007. Call me skeptical.

In The Death of Chick-lit, chick-lit author Sarah Bilston states that the recession is transforming the genre.

In the next months and years, expect to see plots that turn on overcoming repossession and job-loss, not shopping and sex. The frothiest novels must respond to a more sober age. Like many American businesses, chick-lit must reinvent itself—fast—if it’s going to survive.

Ok, that isn't exactly death of the genre, no matter what the title says, though it depends on what you classify as "chick-lit." I mean, chick lit is way more than just shopping and sex. There are books that fall into the chick-lit category that are about shopping and sex and yep, I've read some of them. But chick-lit is many, many different kinds of books. In the post where I declared that read chick-lit and wasn't afraid to say I posted a definition of chick-lit that I found. It was a good one but I've continued to hunt around for definitions for it and I've decided I like Maureen Johnson's conclusion - chick-lit is a completely arbitrary term.

If established literary terms are stable as jello molds, then Chick Lit is a soufflé sitting on a fault line. It only means whatever the latest and most effective argument says it means. Or whatever you guess it means. Or whatever Wikipedia says it means. Whether the books under the banner are in any way similar (except for the sex of their authors) . . . well, that’s another question. I’ve seen all kinds of weird and wonderful books that have gotten stuck with the label. It’s very arbitrary.

Is the recession the death of a certain kind of chick-lit? Maybe. Linda Holmes on the NPR blog said that it isn't the death of chick-lit, but it might be hurting "shoe fiction."

The basic problem with Bilston's notion — which is, remember, that the recession is fundamentally altering the landscape of women's fiction — is that her starting point is an incredibly tiny slice of what that genre ever included in the first place.
By which I mean that when she talks about Confessions Of A Shopaholic and the Plum Sykes books, she's not talking about women's fiction. She's talking about what I call "shoe fiction.

Notice that Holmes said the recession may be "hurting" those books, not killing them. Honestly, most of us read to escape and chick-lit offers us many ways to escape. Some people like shoes and handbags and shopping. Just because they can't do it themselves right now (assuming they ever did) doesn't mean they can't enjoy reading about other people do it. I mean, people don't stop reading about other countries or about people's travels to other countries because they can't afford to travel themselves.

It wasn't Bilston's article that got to Heretic Loremaster, though she doesn't agree. It was the comments. It's the kind of comments that anyone who has ever read anything about chick-lit has seen many times before, as havefantasty , science-fiction, fantasy and mystery writers. Yep, it's the age old, "if it's not literary fiction than it's clearly crap" argument, but specifically aimed at chick-lit because it's "women's fiction". Yet again, someone had to point out that men write plenty of fiction that doesn't fall under the "literary

Yet I don’t see Tom Clancy or Stephen King or Dean Koontz being berated by literati who wish these authors would just get their darned heads out of the clouds and focus on reality and people (as they are in reality, of course) and “things bigger than your everyday troubles,” to quote on of the commenters on Ms. Bilston’s article.

As the Heretic Loremaster says in her post no one is telling men to stop writing or reading the literature they enjoy. And as Maureen Johnson says in her post, the worst critics of chick-lit are women. No, I don't think chick-lit is dying. I think we might be seeing some rearranging of popular topics within the genre. What I'd like to see is us not talking about the death of chick-lit or what it is and just embrace it.

Contributing Editor Sassymonkey also blogs at

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centralperky32 5 pts

Like you, I'm not ashamed AT ALL to say that I read chick lit. In fact, I love it as a genre. Far from supposedly becoming extinct in economically difficult times, I think it's much more likely that women who are faced with real struggles in their lives will, if they even have the time and energy to read, turn to something that will distract - rather than somberly remind or depress - them.

Chick lit has long since gotten a bad rep as being nothing but fluff - in fact, a lot of people actually think chick lit is synonymous with romance novels. Personally, I think there's good chick lit and bad chick lit - just like there are good crime novels and really, really BAD ones.

I've found that, when I'm having a hard time with something in my life, the snubbed fluff-like quality of some types of chick lit is downright uplifting. It reminds us that life goes on, the world keeps on turning no matter what happens. It provides an often amusing, something head-shakingly silly distraction from what's going on in the here and now. Essentially, it allows a grown woman to put aside all the many hats she wears, sit back and just enjoy a book that doesn't pretend to be anything but purely indulgent entertainment.

mdilloway 5 pts

I agree that's it's completely arbitrary.  I remember going to a conference and cringing when an agent read my first page, laughed delightedly, and said I'd written wonderful chick lit.  She saw me cringe and said there's nothing wrong with being "chick-lit."  She told me to read Anna Maxted's GETTING OVER IT, about a woman getting over the death of her parent, as a prime example of good chick-lit.  Jane Porter also writes great "chick-lit" about issues that are more than shopping and working at a newspaper or magazine. 

As far as I can tell, "chick-lit" refers to writing about women and their everyday crises, usually written from first-person, and laced with humor.  "Chick-lit" is a funny name, though. It makes it sound easily dismissable. How come women get stuck with these funny names, like "cougar"? You know what they call a man who dates younger women?  A man.  (I'm not sure who to attribute that to, maybe Jon Stewart?)

Anyhoo, I did not sell that first book but I did sell my second, which I believe is called "women's fiction" instead.  So confusing, all these labels.

www.margaretdilloway.com ( http://www.margaretdilloway.com/ )

FreshFiction 5 pts

And since women buy the MOST books every year and it's cheaper to spend $8 on a book than money on a therapy session, I don't think women's fiction is going away any time soon.

The healthiest part of the book market now is romance -- because women read it, buy it and enjoy it!

Sara Reyes

FreshFiction.com ... for today's reader

sassymonkey 6 pts moderator

Like you I can't remember where either. I think it was a pretty common criticism from her. And yes, there was something about slavery in Mansfield Park I think. I've mostly blocked it out because Fanny irritated the heck out of me. I don't think she totally ignored the situation, the army/militia made an appearance in just about every book (at least I think I did, if not all then some). She just didn't talk about issues explicitly.

Which brings us back the, "women don't write about important things" criticism. Bull. In the case of Jane Austen she wrote about the lives of women, which at the time was pretty freaking radical.

Sassymonkey ( http://sassymonkey.ca/ ) and Sassymonkey Reads ( http://sassymonkeyreads.ca/ ).

mashadutoit 5 pts

I remember reading somewhere that people criticize Jane Austen because she only wrote about personal things and small lives, and never mentioned any of the huge social issues of her times - like slavery (although she did, in was it Mansfield Park?) and the wars that were going on at the time.  It was a sort of back handed compliment - "how can such an inteligent woman have totally ignored x and y?"

It irritates me when people act as though some parts of life are more profound than others.  And only some subjects are deserving on being included in artworks and books.  Sigh.  Sorry.  Rant.