Bio
I am Boston-based freelance writer who loves writing about work, relationships, and more.
 
 
 
 

Most Popular

Recent Comments

Freelancers: Why You're Probably Charging Too Little

  • Share This Post
  • Pin It
  • 8
  • Sparkle (
    )
     

Three years ago, when I left my job to freelance full time, I had a hard time shifting my mental math from salary to an hourly rate. When a client agreed to pay $30/hour for my copywriting services, I was over the moon, thinking it was an outrageously extravagant sum. After all, $30/hour x 40 hours in a week x 52 weeks in a year = $62,400, which was way more than the salary I'd just left. (I'm sure some of you are already laughing at that equation, because you know where I'm going with this.)

One of my mentors encouraged me to ask for almost double that rate next time, and I scoffed, worried I'd look greedy. "You can't base your freelance rates on a salaried position," she told me. "This requires a whole new mindset." As I'd realize over the next several months, she was right on the money. Here's why:
  • Freelancers buy their own benefits. Salaried employees get health and dental insurance, while freelancers buy it themselves. That fact alone means a freelancer needs to earn several thousand more dollars per year compared to their salaried cohorts. Some employers also provide 401(k) matching, disability and life insurance, professional development opportunities, and other benefits that freelancers pay for themselves. Check out Freelanconomics for a discussion of these costs.
  • Freelancers pay self-employment tax. Here in the US, employers cover part of Medicare and Social Security, but most freelancers cover both their portion and the portion that would have been covered by the employer, which is often called "self-employment tax." As a result, freelancers need to make more to come out even after this tax. There are other types of overhead involved, too, like office supplies and computer software.
  • Freelancers don't get paid time off. The equation above assumes that you're working 52 weeks a year, which very few people do. If you're salaried, then you get several paid holidays per year and probably some sick time and vacation days, too. Freelancers who charge by the hour only get paid for the hours they actually work, so the hourly rate needs to factor that in.
  • Freelancers rarely bill 40 hours a week. In addition to doing their creative work, freelancers also spend time cultivating new clients, sending out invoices, following up on invoices, tracking cash flow, sending collections letters, updating their website and LinkedIn profile, resending invoices when their clients "lose" the original, and performing myriad other tasks that aren't billable but nonetheless need to get done. Even if you're working 40+ hours a week, it's unlikely that all that time would be billable.
  • Freelancers provide a specialized skill. Whether self-taught or highly trained in a creative discipline, freelancers bring knowledge that many 9-to-5'ers just don't have. It's easy for someone who works in an office doing the same tasks day after day to grow complacent, but freelancers can't afford to let their talent grow stale. Ambitious freelancers stay on top of their game by following industry blogs, attending conferences, networking with other freelancers, or otherwise keeping current, which makes them a valuable asset to their clients.
Now, a few additional considerations. One is that some clients equate higher rates with higher quality work, so setting a bargain basement rate may raise questions about your worth instead of landing you the gig you want. (If you're curious what other freelancers charge, the Editorial Freelancers Association lists some sample rates, though I think some of the editing rates are a bit low for my area.) The other is that hourly rates aren't always the smartest way to price a project, as I explained in the Great Rate Debate.
What do you think? If you went from working full time to freelancing, did you have an equally tough time making this shift? How did you set your rates?

freelance pricing

Credit Image: skpy via Flickr

Susan Johnston is a full-time freelance writer who covers business and lifestyle topics for a variety of print and online publications. She also blogs about her adventures in writing at The Urban Muse

  • 8
  • Sparkle (
    )
     

Comments

Post comment as twitter logo facebook logo
Sort: Newest | Oldest
poppermost 5 pts

My move to full-time freelance writing 6 years ago (had already been doing it PT for 2 years) was fairly cushy, because I started out with two solid, long-term clients on my plate. How did I land them? I had actually been interviewing with both companies, and each made me an offer that I managed to convert to a consulting relationship!

As far as pricing goes, we do have to be a bit more flexible in this economy--stopping short of giving it away, though. :)

One way to get around this is to negotiate an introductory rate, with the agreement that your billing will go back up to the standard rate of $XXX after so many weeks or months. This will get you in the door, and your superb skills will validate the increase!

Anita Williams Weinberg | Poppermost Communications

Web: www.poppermostcommunications.com

Facebook: www.facebook.com/poppermostcommunications

Blog: http://poppermost.wordpress.com

Twitter: www.twitter.comm/PopWriting

neekswrite 10 pts

This is really good information to have, for those of us considering the move to full-time writing. It's good of you to share!

paulag01 5 pts

Hi there,

My own personal opinion on the charging lower is - it depends:
- Are you charging lower because you think you aren't an expert yet?
- Is what you offer less valuable now than later?

Sure we all raise prices as value and expertise increase, but it is always harder to raise prices if you discount too deeply at first without a real reason. AND...remember what comes easy to you is your brilliance and that doesn't make it less valuable to your ideal client who needs what you can do for them.

I coach people on these topics all the time and this is just a quick idea of some of the things that come to mind for me...

To your success!

Paula Gregorowicz, The Intuitive Intelligence™ Coach
Download the Free Report: Your Own Uniqueness: The Path to Purpose, Prosperity, and Playfulness at http://www.intuitiveintelligencecoaching. ( http://www.intuitiveintelligencecoaching.com )

paulag01 5 pts

Congrats on the leap! And it is an evolving process.

Thanks for sharing your resource!

Paula Gregorowicz, The Intuitive Intelligence™ Coach
Download the Free Report: Your Own Uniqueness: The Path to Purpose, Prosperity, and Playfulness at http://www.intuitiveintelligencecoaching. ( http://www.intuitiveintelligencecoaching.com )

amberpagewrites 5 pts

I've just started landing some major freelance clients, and I thought I was charging far too little. Now I know I am.

However, do you think there's any justification in charging lower rates to begin with - to get your career moving - and then adjusting them upwards as your client base and perceived expertise rises?

moonsoar 5 pts

As someone who is considering the move to full-time freelance work, I've found this post really informative. Thanks for sharing - I'll have to look into all of this information, as well as looking into what Canada has as far as the self-employment tax stuff goes.

Book Blogger ( http://books.moonsoar.com ). Graphic Designer ( http://www.moonsoar.com ). Twitter Addict ( http://twitter.com/moonsoar ).

Michelle Maskaly 5 pts

Thank you so much for posting this. I recently left my full-time job to pursue a media consulting and freelance writing career, and I struggle with this all the time.

It is very hard to get out of that mentality. But, all these points are so true. And, often as women we also undersell ourselves.

Michelle Maskaly ( http://www.michellemaskaly.com/ )

The Adirondack Chick ( http://www.theadirondackchick.com/ )

My Tail Hurts From Wagging So Much ( http://www.mytailhurtsfromwaggingsomuch.com/ )

Bryn Mooth 5 pts

I left a 20-year career in publishing just a month ago to pursue a second gig as a freelance food writer. Despite having absorbed tons of great advice on this very topic in my previous role as editor of a creative business magazine, I still struggled with setting a price. I second-guessed my fee for a major project right out of the gate and learned to never do that again!

I think the key in setting a price for a project is first understanding the client's budget. There are lots of smart ways to dig for that information, but without it you're shooting in the dark. The Creative Freelancer Blog ( http://www.creativefreelancerblog.com ) is a great resource.

Bryn Mooth, writer & editor

writes4food.com ( http://www.writes4food.com )