Morality - a not too big word with very big meaning. It's also subjective, what one considers to be moral is not universal. So why has a Big Name Publisher in the UK taken it upon themselves to try to police the private life of children's book authors? And whose morals are they trying to enforce?
The Guardian published an article called Children's writers, don't misbehave this past week. This is allegedly the clause that Random House UK wants to to put in author's contracts:
"If you act or behave in a way which damages your reputation as a person suitable to work with or be associated with children, and consequently the market for or value of the work is seriously diminished, and we may (at our option) take any of the following actions: Delay publication / Renegotiate advance / Terminate the agreement."
What exactly tarnishes one's "reputation suitable to work with or be associated with children"? A low-cut dress at a movie premiere? An affair? Swearing in public? Saying that you don't like and never want to have children? Who decides?
When I look at some of the people that have published children's books I'm not sure exactly sure what would be deemed inappropriate. Madonna's published enough children's books that you can now order a boxed set. What was that other book she did? Oh right, Sex, one of the most in-demand out of print books. Oh yeah, and she also happens to appear nude in it. She published it before her children's writing career though so maybe that makes it ok? Or maybe because she's a celebrity she's in the clear on that? Dr. Seuss released a book called The Seven Lady Godivas the same year he published Horton Hatches an Egg.
Ultimately isn't it up to parents to screen their own children's reading material and decide what they think is appropriate? Are we moving beyond beyond the age helicopter parents and starting the age of the helicopter society?
Mitali sees it as just another difference between American and British publishing, like age-banding, and doesn't think that American publishers would try this.
I doubt if any of our publishers would consider a clause like this one, and yet I think there might be an unwritten expectation in the industry that we are supposed to be role models.
Karen Newton compares it to Hollywood in the 1930s, the age when image was everything.
Liz reminds us that it's not about the author, it's about the book.
Why is it a fake? Because it is not about the book. It is not about the author.
It is about control. It's about a certain kind of person who isn't satisfied with living their life a certain way; they want to dictate how others live and think. And if the author isn't the "right" sort of person and doesn't do and say the "right" thing ... then the book being made of awesome doesn't matter.
Let the books speak for themselves. If you don't want your kid to read a book because of the author's post-publication actions then don't buy it, but you should get to decide what is suitable for your child, not the publisher.
Contributing Editor Sassymonkey blogs at Sassymonkey and Sassymonkey Reads.
Comments
Lucky for us
Lucky for us parents, when our children read books, they don't start up a personal relationship with the author. Very few children ever interact with authors, especially in a non-public manner, and most children (and parents) know little to nothing about the personal lives of the writers (j.k. rowling excepted, right?).
This clause is just too vague to be useful. It should be more direct -- "if you are convicted of child molestation and can't attend book signings or readings because of a general restraining order against being within 100 yards of any minor, we reserve the right to terminate your contract as a children's author". Now that's a useful and painfully clear clause. That's the only sort of thing we NEED to know about a children's author's personal life.
Kristen M.
We Be Reading - http://webereading.blogspot.com
What I kind of wondered
Was how kids were supposed to hear of this unsuitable issues. Even with J.K. Rowling I doubt that children who can't read the books by themselves but are having them read to them know much about her.
And if parents don't like various activities of authors they can not buy their books - something that I think it more powerful than that very vague clause.
Sassymonkey and Sassymonkey Reads.
Should publishers bear that burden?
The phrase "and consequently the market for or value of the work is seriously diminished" is key. I think that if a very popular children's author were indicted for running a ring of prostitution, the publisher might have a point.
While it should be about the book, kids do treat popular authors like celebrities. Most know nothing of their private lives; consequently, there is no likelihood that the value of the work would be "seriously diminished." I don't think the publisher is trying to quash all the author's fun. Your point, Sassymonkey, is exactly what the publisher is trying to protect itself against: "...if parents don't like various activities of authors they can not buy
their books - something that I think it more powerful than that very vague clause." The vagueness of the clause is troubling because it's likely to lead to lawsuits if it's applied injudiciously - on the other hand, that kind of means that the publisher won't have much incentive to invoke the clause unless the author's behavior is clearly going to have a significant negative impact on sales.
---------------
Holly Jahangiri
http://jahangiri.us/blog
Down with this sort of thing...
And I thought that Age-Banding was sick. Random House UK is doing that one too.
ARGH!
The sad thing is, that writers are now told that to be published or successful you need to 'brand' yourself; you need to present a marketable package of some sort along with your manuscript.
I think it's a bunch of BS myself, but what can writers do if they want to play the game while publishers own the ball? I foresee (I hope) a lot of UK writers approaching US or Australian markets before ones at home, however, if this sort of thing continues.
Your last line sums up my feeling absolutely. Thanks for this post.
Susan
stonyriverfarm.blogspot.com
www.carersgroup.com
Personal branding
I think it can be helpful for authors. I know some YA authors who do a fantastic job of branding themselves with blogs and other forms or social media.
But I still say that suitability belongs to parents.
Sassymonkey and Sassymonkey Reads.
Making our voices heard
Ya know I love the writing of many authors, and I've met a couple whom I am fond of as people, but what they do behind the doors of their own home is none of my business. The only thing that matters to me is what is within the pages of the book, and if I objected to the book then I'd have the right to keep that book from my child.
I'm glad to see you mention book age-banding. I blogged about it in my Leaky Cauldron blog earlier in the week, but it's great to see people speaking out on the practice of the age-banding of books.
Susan I agree that if these trends continue we mightl see more UK authors coming across the pond to US publishers.
Doris
The Leaky Cauldron
Everything Harry Potter.
Fit, Fabulous and Forty the Natural Way! My fitness journey
Age-banding
I blogged about age banding in June. I give age banding a big thumbs down. I don't think it helps anyone.
I really don't know if we'll see that many authors jump ship...collectively they've got a lot of bargaining power and I think they'll fight it.
Sassymonkey and Sassymonkey Reads.
The only clause...
I could see as acceptable would be something clearly referencing paedophilia. The ambiguous clause cited is litigation friendly. Attorneys representing the publisher must need a bit more business.
What is troubling to contemplate is how such morals clauses might over time make their way into other contracts, and on into employee handbooks.
Guess the answer is to opt out of Random House. Other publishers should be savoring the thought of prominent writers wishing to move on.
It is rather surprising a British publisher did this; It is something I'd expect from within this country.
nelle
&
llhaesa
I'm not a legal expert
But I expect there must be other ways for publishers to get out of a contract under those circumstances. It's not that unusual for publishers to drop books and authors when the heat gets too much - look at O.J. Simpson.
If the clause (or similiar ones) make it into employee contracts the people who issue them would also have to live up to them. Somehow I don't think they'd be thrilled by that notion.
I'd have been more surprised with this if they hadn't already come out with the age-banding thing in the UK.
Sassymonkey and Sassymonkey Reads.
Hmm
Let's remember, shall we, a few of our most beloved children's authors:
Roald Dahl - James and the Giant Peach, etc. Also, a book called Switch Bitch and a story about a woman who bludgeons her husband to death with a leg of lamb.
Shel Silverstein - The Giving Tree, A Light in the Attic. Also, innumerable adult-themed essays and cartoons for Playboy. And a song about venereal disease.
Daniel Handler - Series of Unfortunate Events. Also, Watch Your Mouth, described as an "incest opera."
Kenneth Grahame - The Wind in the Willows. His own son committed suicide at the age of 20.
Maurice Sendak - Where the Wild Things Are. Also, In the Night Kitchen, which is often subjected to censorship because it contains, GASP, images of a naked child.
And on and on and on. I don't imagine a pure person exists, so I don't expect them to magically appear and guide my children through a fantasy world where nothing lewd appears. And if such a figure appeared, literary or otherwise, I would probably be very suspicious that they were hiding something truly sinister behind a facade of wholesomeness.
Exactly!
Furthermore I doubt that many issuing the contracts would very much like to sign one.
Sassymonkey and Sassymonkey Reads.
Nonsense
Nonsense and scary too. Little children don't pay attention to who wrote their books. The parents do. That's the only context in which a contract clause like this would make any sense (unless it's specific to pedophilia as someone else mentions). The publishers are thinking that the parents choose the books and so the parents may not buy a book if they hear "bad" things about the author. But anyone who's choosing books for their children based on the author's life is not a book lover who want their children to read quality but a paranoid parent who feels threatened by the world around him/her. Anything might make such a parent choose not to buy the book.
Nordette is a Contributing Editor with BlogHer.com whose personal blog is hosted on another site at this link. Her most recent post on BlogHer at the time of this comment is "Bernie Mac Dies of Pneumonia at 50"
Parents do buy children books
And help them pick them out at the library. If they don't like an author, for any reason, they don't have to select that book.
I agree, it's scary. I hope that authors are able to push back against this and similar clauses.
Sassymonkey and Sassymonkey Reads.
Little children pay attention...
And closer attention than most of us realize.
My kids used to love author visits at their school, and I'm sure many sales were made as a result. I don't care what an author does in their private life so long as it's legal and not setting a hideous example for my kids to follow - or causing headlines I'd really rather not have to explain. For the most part, little kids aren't going to be aware of their favorite author's misbehavior unless it's criminal and headline-causing.
Publishing is a business. I don't blame the publisher for trying. A savvy author would negotiate a bit more clarity, but if the author's behavior has a "significant negative impact" on the book's value, then I don't think the publisher should bear the brunt of it. Often as not, though, a little misbehavior only adds interest and increases sales. ;)
---------------
Holly Jahangiri
http://jahangiri.us/blog