Jumping has never been my strong point as a figure skater. I was always a spinner, and I was good with musical expression, so I always describe the sport to others as requiring a little bit of everything - especially now with the new judging system. But great spins don't make or break Olympic champions. Jumps do. Especially triples and triple combinations. Triple-triples add up to a lot of points.
Now as much as the new International Skating Union judging system emphasizes all elements of skating, the question remains: is it really possible for a future ladies' world or Olympic champion to win without a triple-triple?
In recent Winter Olympics, the gold medalists in ladies' figure skating have each been able to land the triple-triple combination. Sarah Hughes had two in her program. She landed both and she won. Shizuka Arakawa had two planned, but she ended-up doing neither, uncharacteristically. The silver and bronze medalists both made mistakes to Arakawa's favor. and with 2006 as the only Olympics to date that followed the new judging system, it wasn't much of a test.
Weeks after the 2006 Olympics, Kimmie Meisner completed two triple-triples to win the Worlds in 2006. Miki Ando won in 2007. She has a solid triple-triple and even landed a quad in the past. Mao Asada is known for her triple axel and she is reportedly the first female skater to land a triple-triple-triple in competition at age twelve. Yu-Na Kim landed one triple-triple in each of the short and long programs to become World Champion earlier this year.
Looking at the skaters who won each of the six Grand Prix events - Yu-Na Kim, Miki Ando, and Joannie Rochette, along with the other top skaters like Mao Asada and Rachel Flatt, six or more of the top skaters contending for Olympic gold will most likely have a triple-triple planned in their Free Skate by February. Yu-Na Kim has a program loaded with points in all categories, so she could possibly get away with going without the triple-double if she skated a flawless program and others made mistakes. But that's not likely.
So at this point, my prediction is that this year's champion needs to land at least one triple-triple, on top of skating a clean program with strong elements in all areas. What's left to know is - who will make it there and who will land it? And who will skate cleanly? It's not just a test of athleticism and artistry; it's a test of nerves and confidence. Less than three months until we have a new Olympic champion.
Comments
Have to say all the jumps detract for me...
I get that jumps are a big part of it now, but I think fondly on the days when long programs were more than jumps and the transitions between them.
Part of it is the tension. They fall. A lot. And where the enjoyment in seeing that?
And this applies to both the men and the women, as far as I'm concerned!
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Tara Lipinski
Terrific analysis, Sarah.
I remember the triple-triple sealing the gold for Tara in the Olympics. Michelle Kwan certainly could have skated better but Tara simply did not have the same level of artistry in my opinion. Hopefully the new judging system will continue to evolve so that continually pushing towards bigger and bigger jumps is the only way to win and the overall program can shine.
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Jumps vs. Artistry
Interesting post. I do love seeing a few killer jumps here and there, but I have to agree with Elisa that it adds an element of stress to watching the performance. Which I guess you could say is the normal, nail-biting drama inherent in watching all sports - "Will they make it or won't they?" Now, many people out there debate whether figure skating is truly a "sport" or more of an exhibition/competition so the jump complexity really adds more of the athletic component to silence those critics - maybe that is why the skating federation now expects them (is it just PR on their part to help them give skating the "street cred" they feel is lacking)? But as someone who appreciates the fluid artistry and dance movements of figure skating, I have to say it loses something for me when there are too many jumps, one right after the other.
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